OER Commons项目是由美国教育领域的知识管理研究协会(ISKME)创建的共享开放教育资源的知识库与联接门户,旨在支持开放教育资源应用和重用。文章介绍了OER Commons项目的发展及其特色,并分析了该项目的开放机制,提出了对我国开放教育资...OER Commons项目是由美国教育领域的知识管理研究协会(ISKME)创建的共享开放教育资源的知识库与联接门户,旨在支持开放教育资源应用和重用。文章介绍了OER Commons项目的发展及其特色,并分析了该项目的开放机制,提出了对我国开放教育资源建设的启示。展开更多
The Central Arctic Ocean （CAO） is a global commons, and fishes in the CAO are common property resources. If humanity does not manage this region well, then this will lead to a ＂Tragedy of the Commons,＂ an old prob...The Central Arctic Ocean （CAO） is a global commons, and fishes in the CAO are common property resources. If humanity does not manage this region well, then this will lead to a ＂Tragedy of the Commons,＂ an old problem in human society. However, the two existing means of commons governance, privatization and government control, are not appropriate for the CAO. This study＇s findings indicate that CAO fisheries management will most likely result from a process of self-organization. The openness of the CAO and the imbalance of powers, interests and responsibilities among the states that are involved will lead to a process of self-organized governance of CAO fisheries. There are four stages in this process： competition, synergy, establishment of governing principles and mechanisms, and expansion and evolution of influence. The outcome of CAO fisheries governance will be the result of compromise among the parties as no one actor is in a dominant position.展开更多
This article discusses the representation of the sea in selected works of W. H. Longfellow, Herman Melville, and lan Wedde, tracing its transformation from a romantic icon to a global commons. Despite differences in t...This article discusses the representation of the sea in selected works of W. H. Longfellow, Herman Melville, and lan Wedde, tracing its transformation from a romantic icon to a global commons. Despite differences in their portrayals, all three artists find stagnation alongside vitality in the ebb and flow or the rolling of the sea. Similar to Longfellow, Melville romanticizes the sea in Moby-Dick as an ultimate sanctuary, the domain of reveries. At the same time, Melville also portrays the sea as a global commons where U.S. capitalism dominates the global order and exploits the resources. In addressing the environmental issues such as the possibility of whales＇ extinction, Melville echoes ＂the tragedy of the commons＂ lamented by Garrett Hardin. Queequeg, the ＂primitive＂ man who saves Ishmael from the wolfish industrial capitalism is thought to be modeled after a MAori from New Zealand. Today, the M^ori＇s ancestral sea-based culture is threatened by economic globalization. Wedde, a New Zealand poet, confronted the plans to construct an aluminum smelter in his country. His poem juxtaposes themes of precariousness and desolation with resilience and defiant survival, a motif mirrored in Longfellow＇s and Melville＇s portrayals of the sea.展开更多
基金the project "A Survey on the Attitude of the Indigenous People in Alaska to Economic Development Activities in the Arctic Region and the Path of Cooperation between China and the United States", funded by the Chinese Arctic and Antarctic Administrationthe project "Chinese Polar Environment Comprehensive Investigation and Assessment Program" (Grant no. CHINARE2016-04-05-01) funded by the State Oceanic Administration of China
文摘The Central Arctic Ocean （CAO） is a global commons, and fishes in the CAO are common property resources. If humanity does not manage this region well, then this will lead to a ＂Tragedy of the Commons,＂ an old problem in human society. However, the two existing means of commons governance, privatization and government control, are not appropriate for the CAO. This study＇s findings indicate that CAO fisheries management will most likely result from a process of self-organization. The openness of the CAO and the imbalance of powers, interests and responsibilities among the states that are involved will lead to a process of self-organized governance of CAO fisheries. There are four stages in this process： competition, synergy, establishment of governing principles and mechanisms, and expansion and evolution of influence. The outcome of CAO fisheries governance will be the result of compromise among the parties as no one actor is in a dominant position.
文摘This article discusses the representation of the sea in selected works of W. H. Longfellow, Herman Melville, and lan Wedde, tracing its transformation from a romantic icon to a global commons. Despite differences in their portrayals, all three artists find stagnation alongside vitality in the ebb and flow or the rolling of the sea. Similar to Longfellow, Melville romanticizes the sea in Moby-Dick as an ultimate sanctuary, the domain of reveries. At the same time, Melville also portrays the sea as a global commons where U.S. capitalism dominates the global order and exploits the resources. In addressing the environmental issues such as the possibility of whales＇ extinction, Melville echoes ＂the tragedy of the commons＂ lamented by Garrett Hardin. Queequeg, the ＂primitive＂ man who saves Ishmael from the wolfish industrial capitalism is thought to be modeled after a MAori from New Zealand. Today, the M^ori＇s ancestral sea-based culture is threatened by economic globalization. Wedde, a New Zealand poet, confronted the plans to construct an aluminum smelter in his country. His poem juxtaposes themes of precariousness and desolation with resilience and defiant survival, a motif mirrored in Longfellow＇s and Melville＇s portrayals of the sea.
