Within the walls of the Interna tional Museum of African Art （IMAA）. thousands of artworks from many African tribes are preserved and exhibited, including wood, stone and bronze carvings, pottery, clothing,jewelry a...Within the walls of the Interna tional Museum of African Art （IMAA）. thousands of artworks from many African tribes are preserved and exhibited, including wood, stone and bronze carvings, pottery, clothing,jewelry and paintings, among others.展开更多
The pterosaur collection at the Natural History Museum is of great historical importance. Most of the material is figured or cited, and several specimens are types or casts of types. Pterosaurs from UK localities are ...The pterosaur collection at the Natural History Museum is of great historical importance. Most of the material is figured or cited, and several specimens are types or casts of types. Pterosaurs from UK localities are well represented, but foreign material is also present as original specimens and as high quality casts. The entire collection has been recorded in a database and curatorial improvements have been made, which has improved physical and virtual access to the collection. Although many of the specimens were collected as long ago as the early 1800s, they are still useful today. A full list of Natural History Museum pterosaur specimens is published, for the first time since 1888.展开更多
The Chinese term zhuliren,originally meaning a manager or lead creative of a brand or product,has recently gone viral on social media,after a wave of short videos mocking service workers who insist on calling themselv...The Chinese term zhuliren,originally meaning a manager or lead creative of a brand or product,has recently gone viral on social media,after a wave of short videos mocking service workers who insist on calling themselves zhuli-ren spread across platforms like Douyin.展开更多
This research paper explores the role of performing arts administrators in utilizing memorials as a performance space for the performance of cultural trauma and memory.The study aims to examine the current paradigms o...This research paper explores the role of performing arts administrators in utilizing memorials as a performance space for the performance of cultural trauma and memory.The study aims to examine the current paradigms of performing arts curating and creative placemaking and address their intersectionality with the frameworks on the performance of cultural trauma and memory.Through in-depth textual analysis,interviews with experts,and two case studies,the research suggests that the current understanding of curation in relation to performing arts administration lacks guiding principles in effectively establishing a safe performance space for incorporating the performance of cultural trauma.Findings in this study outline that the trauma-informed approach offers a promising guideline to inform the administrators of the necessary components like care for the artists and the administrators themselves as the witnesses and curators.The research examines how live performance curation and trauma-informed placemaking have been implemented specifi cally with the 9/11 Memorial and Museum and the“Comfort Women”Memorial in San Francisco.With this analysis,this paper recommends an Updated Guiding Principles of Trauma-Informed Approach for Performing Arts Administrators,introducing practical implications for arts administrators to incorporate in their season planning and space curation when presenting works related to cultural trauma and corresponding collective memory engagement.展开更多
This research paper explores the role of performing arts administrators in utilizing memorials as a performance space for the performance of cultural trauma and memory.The study aims to examine the current paradigms o...This research paper explores the role of performing arts administrators in utilizing memorials as a performance space for the performance of cultural trauma and memory.The study aims to examine the current paradigms of performing arts curating and creative placemaking and address their intersectionality with the frameworks on the performance of cultural trauma and memory.Through in-depth textual analysis,interviews with experts,and two case studies,the research suggests that the current understanding of curation in relation to performing arts administration lacks guiding principles in effectively establishing a safe performance space for incorporating the performance of cultural trauma.Findings in this study outline that the trauma-informed approach offers a promising guideline to inform the administrators of the necessary components like care for the artists and the administrators themselves as the witnesses and curators.The research examines how live performance curation and trauma-informed placemaking have been implemented specifically with the 9/11 Memorial and Museum and the“Comfort Women”Memorial in San Francisco.With this analysis,this paper recommends an Updated Guiding Principles of Trauma-Informed Approach for Performing Arts Administrators,introducing practical implications for arts administrators to incorporate in their season planning and space curation when presenting works related to cultural trauma and corresponding collective memory engagement.展开更多
文摘Within the walls of the Interna tional Museum of African Art （IMAA）. thousands of artworks from many African tribes are preserved and exhibited, including wood, stone and bronze carvings, pottery, clothing,jewelry and paintings, among others.
基金the Palaeontology Investment Fund committee for agreeing to fund my attendance at the 3rdInternational Symposium on Pterosaurs in Beijing
文摘The pterosaur collection at the Natural History Museum is of great historical importance. Most of the material is figured or cited, and several specimens are types or casts of types. Pterosaurs from UK localities are well represented, but foreign material is also present as original specimens and as high quality casts. The entire collection has been recorded in a database and curatorial improvements have been made, which has improved physical and virtual access to the collection. Although many of the specimens were collected as long ago as the early 1800s, they are still useful today. A full list of Natural History Museum pterosaur specimens is published, for the first time since 1888.
文摘The Chinese term zhuliren,originally meaning a manager or lead creative of a brand or product,has recently gone viral on social media,after a wave of short videos mocking service workers who insist on calling themselves zhuli-ren spread across platforms like Douyin.
文摘This research paper explores the role of performing arts administrators in utilizing memorials as a performance space for the performance of cultural trauma and memory.The study aims to examine the current paradigms of performing arts curating and creative placemaking and address their intersectionality with the frameworks on the performance of cultural trauma and memory.Through in-depth textual analysis,interviews with experts,and two case studies,the research suggests that the current understanding of curation in relation to performing arts administration lacks guiding principles in effectively establishing a safe performance space for incorporating the performance of cultural trauma.Findings in this study outline that the trauma-informed approach offers a promising guideline to inform the administrators of the necessary components like care for the artists and the administrators themselves as the witnesses and curators.The research examines how live performance curation and trauma-informed placemaking have been implemented specifi cally with the 9/11 Memorial and Museum and the“Comfort Women”Memorial in San Francisco.With this analysis,this paper recommends an Updated Guiding Principles of Trauma-Informed Approach for Performing Arts Administrators,introducing practical implications for arts administrators to incorporate in their season planning and space curation when presenting works related to cultural trauma and corresponding collective memory engagement.
文摘This research paper explores the role of performing arts administrators in utilizing memorials as a performance space for the performance of cultural trauma and memory.The study aims to examine the current paradigms of performing arts curating and creative placemaking and address their intersectionality with the frameworks on the performance of cultural trauma and memory.Through in-depth textual analysis,interviews with experts,and two case studies,the research suggests that the current understanding of curation in relation to performing arts administration lacks guiding principles in effectively establishing a safe performance space for incorporating the performance of cultural trauma.Findings in this study outline that the trauma-informed approach offers a promising guideline to inform the administrators of the necessary components like care for the artists and the administrators themselves as the witnesses and curators.The research examines how live performance curation and trauma-informed placemaking have been implemented specifically with the 9/11 Memorial and Museum and the“Comfort Women”Memorial in San Francisco.With this analysis,this paper recommends an Updated Guiding Principles of Trauma-Informed Approach for Performing Arts Administrators,introducing practical implications for arts administrators to incorporate in their season planning and space curation when presenting works related to cultural trauma and corresponding collective memory engagement.
