This study examines the narrative interplay between Chinese and Australian cinemas,focusing on how Chinese cinematic forms-such as cyclical storytelling,mythological motifs,and magical realism-are influencing and resh...This study examines the narrative interplay between Chinese and Australian cinemas,focusing on how Chinese cinematic forms-such as cyclical storytelling,mythological motifs,and magical realism-are influencing and reshaping contemporary Australian storytelling traditions.Through a comparative qualitative methodology,the research analyzes selected films,screenwriting practices,critical essays,and industry reports to identify key narrative structures,thematic patterns,and cultural dynamics across the two national cinemas.Findings reveal significant contrasts between the cyclical,mythologically rooted,and symbolically layered narratives characteristic of Chinese cinema and the traditionally linear,realist frameworks dominant in Australian filmmaking.However,increasing cultural exchange,co-productions,and multicultural influences have prompted Australian filmmakers to experiment with non-linear structures,mythic elements,and more complex representations of identity.The study contributes to cross-cultural film scholarship by proposing integrated analytical frameworks that highlight hybrid narrative forms and by offering practical implications for future Sino-Australian collaboration.These findings underscore the evolving global landscape of film narratives and the growing relevance of culturally adaptive storytelling strategies.展开更多
At 4 pm,the first cinema in the Taxkorgan Tajik Autonomous County in Kashi Prefecture opened at the appointed time.The manager,He Xinyu,was prepared to welcome local filmgoers from various ethnic groups.Manager He can...At 4 pm,the first cinema in the Taxkorgan Tajik Autonomous County in Kashi Prefecture opened at the appointed time.The manager,He Xinyu,was prepared to welcome local filmgoers from various ethnic groups.Manager He can feel that for local residents,the cinema is more than a venue for entertainment-it is a space for connections and inspiration.“The cinema and these screening films,which screen simultaneously with those in other places,offer local residents a sense of belonging to a larger world and a fresh feeling of appreciating cultural products,which means a lot,”said He.展开更多
随着互联网教育的蓬勃发展,新型的课堂模式开始大规模的服务于教学,也逐渐应用于高等教育的课堂中来,新的教育模式是教育和教学的创新,也是广大学生的福利。故本文作者总结了目前较为先进的中外教学模式,从翻转课堂、对分课堂以及慕课...随着互联网教育的蓬勃发展,新型的课堂模式开始大规模的服务于教学,也逐渐应用于高等教育的课堂中来,新的教育模式是教育和教学的创新,也是广大学生的福利。故本文作者总结了目前较为先进的中外教学模式,从翻转课堂、对分课堂以及慕课教学中对比了各自教学的优势和劣势,选择了影视类专业接受高等教育学生最适合的教学模式——对分课堂,本文作者主要从对分课堂的特点入手,以专业基础课程《Cinema 4D基础》为分析蓝本,重点分析对分课堂在《Cinema 4D基础》课程中的应用过程。With the rapid development of internet education, new classroom models have begun to serve teaching on a large scale and have gradually been applied to higher education classrooms. These new educational models are innovations in education and teaching, and they are also a benefit to a large number of students. Therefore, the author of this article summarizes some of the more advanced teaching models from China and abroad, comparing the advantages and disadvantages of flipped classrooms, split classrooms, and MOOCs, and selects the most suitable teaching model for students in film and television majors receiving higher education—the split classroom. The author mainly starts from the characteristics of the split classroom, taking the professional basic course “Cinema 4D Basics” as the analysis blueprint, and focuses on analyzing the application process of the split classroom in the “Cinema 4D Basics” course.展开更多
Poetry can be seen as a means for communicating a message in a unique vision. The same can be applied to cinema. Literature precedes the making of a film in most cases. The preparation for a movie is written in much d...Poetry can be seen as a means for communicating a message in a unique vision. The same can be applied to cinema. Literature precedes the making of a film in most cases. The preparation for a movie is written in much details, be it for stories, scenes, dialogues, storyboards, or technical descriptions. In that extend, words are the genesis of cinema. Poetry is a unique way to express one＇s point of view in a metaphoric way, far from common means of communicating a message. This purpose is the one of many a film director with daring, controversial, or highly personal ideas. The study will concentrate on the link of cinema with poetry based on the concept of rhymes and rhythms.展开更多
In film production cinematography is a visual medium that connects the film experience to the viewers.Just like other crew members such as directors and actors,specific names of cinematographers become common in the A...In film production cinematography is a visual medium that connects the film experience to the viewers.Just like other crew members such as directors and actors,specific names of cinematographers become common in the African film industry.Abebe Ketsela,who has a career spanning many decades and popular designations,is regarded as one of the best intellect cinematographers in Ethiopian cinema.This qualitative content analysis examines his works his cinematography skill emerged from his ability to utilize shot selection,framing,and composition.This qualitative content analysis of Aster film focuses on the Cinematography concept of camera mobility,and lighting techniques to tell the story naturally so.This is the revised transcription of an interview with Abebe Ketsela that took place on September 27th 2021 at the Department of Film Production Studio at Ale-School of Fine Arts and Design,Adds Ababa University,St.marry Avenue,Addis Ababa,Ethiopia,the place where African filmmakers teach film directing,Cinematography,and screenplay writing.The film production Department is the first Film School which is opened in 2015.This place in this site is a vigorous Black African center as film making education school at the level of second Degree and the excremental area of his creative works.The interview spanned three and a half hours and roofed an extensive range of topics,most of which pivoted around:A glimpse on Ethiopian film through a cinematographer of Aster:how his visual creation reveals in his cinematography.展开更多
文摘This study examines the narrative interplay between Chinese and Australian cinemas,focusing on how Chinese cinematic forms-such as cyclical storytelling,mythological motifs,and magical realism-are influencing and reshaping contemporary Australian storytelling traditions.Through a comparative qualitative methodology,the research analyzes selected films,screenwriting practices,critical essays,and industry reports to identify key narrative structures,thematic patterns,and cultural dynamics across the two national cinemas.Findings reveal significant contrasts between the cyclical,mythologically rooted,and symbolically layered narratives characteristic of Chinese cinema and the traditionally linear,realist frameworks dominant in Australian filmmaking.However,increasing cultural exchange,co-productions,and multicultural influences have prompted Australian filmmakers to experiment with non-linear structures,mythic elements,and more complex representations of identity.The study contributes to cross-cultural film scholarship by proposing integrated analytical frameworks that highlight hybrid narrative forms and by offering practical implications for future Sino-Australian collaboration.These findings underscore the evolving global landscape of film narratives and the growing relevance of culturally adaptive storytelling strategies.
文摘At 4 pm,the first cinema in the Taxkorgan Tajik Autonomous County in Kashi Prefecture opened at the appointed time.The manager,He Xinyu,was prepared to welcome local filmgoers from various ethnic groups.Manager He can feel that for local residents,the cinema is more than a venue for entertainment-it is a space for connections and inspiration.“The cinema and these screening films,which screen simultaneously with those in other places,offer local residents a sense of belonging to a larger world and a fresh feeling of appreciating cultural products,which means a lot,”said He.
文摘随着互联网教育的蓬勃发展,新型的课堂模式开始大规模的服务于教学,也逐渐应用于高等教育的课堂中来,新的教育模式是教育和教学的创新,也是广大学生的福利。故本文作者总结了目前较为先进的中外教学模式,从翻转课堂、对分课堂以及慕课教学中对比了各自教学的优势和劣势,选择了影视类专业接受高等教育学生最适合的教学模式——对分课堂,本文作者主要从对分课堂的特点入手,以专业基础课程《Cinema 4D基础》为分析蓝本,重点分析对分课堂在《Cinema 4D基础》课程中的应用过程。With the rapid development of internet education, new classroom models have begun to serve teaching on a large scale and have gradually been applied to higher education classrooms. These new educational models are innovations in education and teaching, and they are also a benefit to a large number of students. Therefore, the author of this article summarizes some of the more advanced teaching models from China and abroad, comparing the advantages and disadvantages of flipped classrooms, split classrooms, and MOOCs, and selects the most suitable teaching model for students in film and television majors receiving higher education—the split classroom. The author mainly starts from the characteristics of the split classroom, taking the professional basic course “Cinema 4D Basics” as the analysis blueprint, and focuses on analyzing the application process of the split classroom in the “Cinema 4D Basics” course.
文摘Poetry can be seen as a means for communicating a message in a unique vision. The same can be applied to cinema. Literature precedes the making of a film in most cases. The preparation for a movie is written in much details, be it for stories, scenes, dialogues, storyboards, or technical descriptions. In that extend, words are the genesis of cinema. Poetry is a unique way to express one＇s point of view in a metaphoric way, far from common means of communicating a message. This purpose is the one of many a film director with daring, controversial, or highly personal ideas. The study will concentrate on the link of cinema with poetry based on the concept of rhymes and rhythms.
文摘In film production cinematography is a visual medium that connects the film experience to the viewers.Just like other crew members such as directors and actors,specific names of cinematographers become common in the African film industry.Abebe Ketsela,who has a career spanning many decades and popular designations,is regarded as one of the best intellect cinematographers in Ethiopian cinema.This qualitative content analysis examines his works his cinematography skill emerged from his ability to utilize shot selection,framing,and composition.This qualitative content analysis of Aster film focuses on the Cinematography concept of camera mobility,and lighting techniques to tell the story naturally so.This is the revised transcription of an interview with Abebe Ketsela that took place on September 27th 2021 at the Department of Film Production Studio at Ale-School of Fine Arts and Design,Adds Ababa University,St.marry Avenue,Addis Ababa,Ethiopia,the place where African filmmakers teach film directing,Cinematography,and screenplay writing.The film production Department is the first Film School which is opened in 2015.This place in this site is a vigorous Black African center as film making education school at the level of second Degree and the excremental area of his creative works.The interview spanned three and a half hours and roofed an extensive range of topics,most of which pivoted around:A glimpse on Ethiopian film through a cinematographer of Aster:how his visual creation reveals in his cinematography.
