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A Comedy of Absurdity and Chaos-A Brief Study on Joseph Heller's Catch-22 and His Black Humor 被引量:1
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作者 邴照宇 《海外英语》 2013年第15期184-185,共2页
Catch-22,which is written by Joseph Heller,can be recognized as the "Modern Classic" of American literature,and this fiction uses a distinctive non-chronological third-person omniscient narration,describing ... Catch-22,which is written by Joseph Heller,can be recognized as the "Modern Classic" of American literature,and this fiction uses a distinctive non-chronological third-person omniscient narration,describing the stories from different figures' visual angles.The novel features tragic content with comic form,anti-hero and illogical narrative structure.Catch-22,which no one can get out of,is not a simple rule;in other words,it's really a snare and this no-win situation exists in every corner of people's daily time. 展开更多
关键词 BLACK HUMOR catch-22 ABSURDITY COMEDY ANTI-HERO
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“Anti-hero”Feature of Black Humor in Postmodernism Literary Fiction:with“Yossarian”in Catch-22 as an Example 被引量:1
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作者 佘晓洁 《海外英语》 2012年第8X期189-190,228,共3页
Yossarian is the hero in Catch-22 written by Joseph Heller in 1961,bearing the typical"anti-hero"feature of Black Humor in postmodernism literary fiction.This paper aims at giving some of the examples to mak... Yossarian is the hero in Catch-22 written by Joseph Heller in 1961,bearing the typical"anti-hero"feature of Black Humor in postmodernism literary fiction.This paper aims at giving some of the examples to make readers clearer of the Black Humor and more familiar with the"anti-hero"feature of Black Humor in postmodernism literary fiction. 展开更多
关键词 POSTMODERNISM BLACK HUMOR ANTI-HERO catch-22 Yossa
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Ethical Concern in Joseph Heller's Catch-22
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作者 鲜于静 《海外英语》 2015年第2期191-192,共2页
In Catch-22, Joseph Heller shows his ethical concern behind absurdity, which is manifested from his attitude toward individualism and utilitarianism, religious belief, sexual promiscuity, interpersonal relationship, etc.
关键词 catch-22 JOSEPH HELLER ETHICAL CONSCIOUSNESS
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An Analysis of The Characters' Alienation in Catch-22
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作者 周莉 《海外英语》 2017年第1期181-184,共4页
Joseph Heller is the United States after World War II as one of the most famous writers, his novels are usually based on real life creation, Catch-22 not only reflect the lives of American society, also express their ... Joseph Heller is the United States after World War II as one of the most famous writers, his novels are usually based on real life creation, Catch-22 not only reflect the lives of American society, also express their own against the real world of protest,the war as the background, portrayed the characters such as Yosserian, reflects the theme of the contemporary society,. This article mainly studies the characters in the novel, and pointed out that it manifests in several aspects. The novel criticizes bureaucratic capitalism and distorts human nature., people caused great alienation. It can be seen that Heller is concerned about human nature, caring for the plight of humanity. 展开更多
关键词 catch-22 ALIENATION CHARACTER Joseph Heller
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Out of Absurdity On the Ending of Catch-22
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作者 YE La-mei 《Journal of Literature and Art Studies》 2014年第6期423-435,共13页
As one of the first and most original creations of literary postmodernism, published in the year 1961, Catch-22's (1961) position in American literature remains secure. Yet its ending has been held as unconvincing ... As one of the first and most original creations of literary postmodernism, published in the year 1961, Catch-22's (1961) position in American literature remains secure. Yet its ending has been held as unconvincing ever since its publication. Taking the overall structure, tone, and the theme of the novel into consideration, this paper aims to prove the credibility of this controversial part. It consists of five sections apart from an introduction and a conclusion. Section One provides general information on the life and works of Joseph Heller. Section Two traces the impact of existentialism and the generation of black humor to clarify the literary position of Catch-22. Section Three brings out the disputative opinions on the ending part. Sections Four and Five, try to prove Yossarian's final desertion a natural and convincing ending from different perspectives: Section Four analyses how Yossarian gains an entropic vision of the cosmos; section Five studies his existential vision of physical life and searches for the immediate factors that propel Yossarian's desertion. Section five also explains the ending's change in tone and structure. The conclusion summarizes the paper and points out the social significance of the novel. 展开更多
关键词 ABSURDITY catch-22 the ending
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On the Spatial Structures of the Narrative in Catch-22
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作者 HE Ya-yi 《Journal of Literature and Art Studies》 2022年第4期334-339,共6页
Joseph Heller(1923-1999)’s celebrated novel Catch-22(1961)portrays the predicament of an individual,Captain John Yossarian of the 256th US Army Air Squadron,drifting apart in a helpless prodigious world.The absurdity... Joseph Heller(1923-1999)’s celebrated novel Catch-22(1961)portrays the predicament of an individual,Captain John Yossarian of the 256th US Army Air Squadron,drifting apart in a helpless prodigious world.The absurdity and ludicrousness of the reconstructed world is strengthened by the elements of space in the narrative text.Drawing on Gabriel Zoran’s model of structuring of space within the fictional world,this essay analyzes the three levels of the structuring of space,namely the topographical level,the chronotopic level,and the textual level,and their functions in the novel.Topographical structures magnify the despair and deadly threats prevalent during wartime,whereas chronotopic structures underscore individual’s active endeavours and spiritual renewal in the face of institutional coercion.Textual structures,with three aspects of the text,the essential selectivity of language,the linearity of the text,and the point of view,bring forward the picture of the personal agony embedded in the grand establishment. 展开更多
关键词 catch-22 topographical structure chronotopic structure textual structure
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Different Focalizations of Catch-22
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作者 房丽婷 《海外英语》 2017年第11期172-173,共2页
Studies about Catch-22 have been numerous,but the study of the novel’s narrative device is scarcely found.Thus,the narrative device of Catch-22 is analyzed in terms of focalization,one of Gernard Genette's narrat... Studies about Catch-22 have been numerous,but the study of the novel’s narrative device is scarcely found.Thus,the narrative device of Catch-22 is analyzed in terms of focalization,one of Gernard Genette's narrative theories.The analysis exposes the hypocrisy and meaninglessness of the bureaucratic behaviors and policies and simultaneously emphasizes bureaucracy’s devastative and corrosive effect on people. 展开更多
关键词 catch-22 narrative device Gernard Genette focalization BUREAUCRACY
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An Iron-Clad Catch-22
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作者 Maya Reid 《ChinAfrica》 2012年第2期50-50,共1页
MALARIA, anemia and malnutrition are longstanding public health problems in Africa. While all three affect impoverished chil- dren, they may also be trickily intertwined, according to new research coming out of Tanzan... MALARIA, anemia and malnutrition are longstanding public health problems in Africa. While all three affect impoverished chil- dren, they may also be trickily intertwined, according to new research coming out of Tanzania. Data from a paper published in PLoS Medicine last November shows that iron-deficient children taking iron supplements saw their malaria rates skyrocket by 41 percent. Conversely, healthy children who ingested the multinutrient tablets had no change in their susceptability to the parasitic killer. 展开更多
关键词 An Iron-Clad catch-22
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“军规”之诈——从语用学角度对Catch-22的文体分析 被引量:8
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作者 曹精华 《外语教学与研究》 CSSCI 北大核心 1995年第3期30-36,80,共8页
约瑟夫·海勒的《第二十二条军规》(Catch-22)是美国荒诞派小说中最有代表性的作品之一。作品的思想主题——世界是冷酷、陌生的,不可理解的;人与人之间的思想无法沟通;人与现实脱离,一切都是丑恶、荒谬、毫无意义的,等等——不仅... 约瑟夫·海勒的《第二十二条军规》(Catch-22)是美国荒诞派小说中最有代表性的作品之一。作品的思想主题——世界是冷酷、陌生的,不可理解的;人与人之间的思想无法沟通;人与现实脱离,一切都是丑恶、荒谬、毫无意义的,等等——不仅展示于内容中,尤其体现在小说语言的运用上。本文根据奥斯汀——舍尔的言语行为理论和格赖斯的会话含意理论,研究这部小说的语言技巧,特别是“违例”语言现象,揭示作者运用特殊语言技巧产生的种种艺术效果。 展开更多
关键词 catch-22 言语行为理论 会话含义理论 文体分析
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黑色幽默的精彩演绎——论《第22条军规》的艺术特色 被引量:4
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作者 赵乐芳 《齐齐哈尔师范高等专科学校学报》 2009年第4期63-65,共3页
《第22条军规》是黑色幽默的典型代表。作者约瑟夫·海勒采用象征主义手法塑造了一个个荒诞的形象,其中尤索林是《第22条军规》的主要人物,是黑色幽默中典型的反英雄式人物。小说采用超现实主义手法,以螺旋式结构来描写一个人的心... 《第22条军规》是黑色幽默的典型代表。作者约瑟夫·海勒采用象征主义手法塑造了一个个荒诞的形象,其中尤索林是《第22条军规》的主要人物,是黑色幽默中典型的反英雄式人物。小说采用超现实主义手法,以螺旋式结构来描写一个人的心理。小说中许多字、词甚至整个句子都处于无序、重复、模棱两可、自相矛盾当中,是黑色幽默的完美演绎。 展开更多
关键词 黑色幽默 22条军规 荒诞
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论译者作为翻译主体留下的痕迹——以《第22条军规》中译本为例 被引量:1
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作者 吴莹 《郑州航空工业管理学院学报(社会科学版)》 2007年第1期127-129,共3页
文章以描述性的研究方法,从译者的语言风格和自由度两方面对《第22条军规》中译者的痕迹进行考察,证明译者的痕迹是客观存在的,并试图分析其“显形”背后的深层原因。提出对于译者在翻译过程中留下的痕迹,研究者不能一味批评指责,而要... 文章以描述性的研究方法,从译者的语言风格和自由度两方面对《第22条军规》中译者的痕迹进行考察,证明译者的痕迹是客观存在的,并试图分析其“显形”背后的深层原因。提出对于译者在翻译过程中留下的痕迹,研究者不能一味批评指责,而要在充分观察、认真描述的基础上对其做出科学、客观、合理的解释。 展开更多
关键词 《第22条军规》 翻译风格 自由度 译者的痕迹
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《第二十二条军规》中的解辖域化
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作者 张铁风 《四川职业技术学院学报》 2025年第5期151-156,共6页
约瑟夫·海勒在其小说《第二十二条军规》中以荒诞、幽默的语言描绘了战争悖论逻辑下不断挣扎的人物群像。随着情节非线性地展开,主人公约塞连的战友和朋友一一死亡。约塞连为了活命而不断地逃逸,最终独身逃往中立国瑞典。尽管小说... 约瑟夫·海勒在其小说《第二十二条军规》中以荒诞、幽默的语言描绘了战争悖论逻辑下不断挣扎的人物群像。随着情节非线性地展开,主人公约塞连的战友和朋友一一死亡。约塞连为了活命而不断地逃逸,最终独身逃往中立国瑞典。尽管小说建构了一个残忍、讽刺和悲观的战争世界,但它同样展现了约塞连在其中的逃逸轨迹——他在军队社会中通过破坏语言秩序将欲望从抑制性的爱国主义、宗教信仰话语等社会符码相对解辖域化,并在罗马街头这一异质空间消解主体性而联结了他者的生命经验,从而实现绝对解辖域化,生成了非个体化的、积极的生命欲望形式。 展开更多
关键词 《第二十二条军规》 解辖域化 语言 生成
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《第22条军规》的叙事手法与反文化政治主题
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作者 文波 《外国语文》 北大核心 2013年第4期40-44,共5页
约瑟夫·海勒对反文化政治主题的关注高度展示了作家的叙述艺术和政治意识。用与众不同的场景、无形的小说结构以及颇具戏剧性的人物塑造,海勒成功地将自己的叙述转换成一种独特的反文化政治学。显而易见,《第22条军规》不仅具有叙... 约瑟夫·海勒对反文化政治主题的关注高度展示了作家的叙述艺术和政治意识。用与众不同的场景、无形的小说结构以及颇具戏剧性的人物塑造,海勒成功地将自己的叙述转换成一种独特的反文化政治学。显而易见,《第22条军规》不仅具有叙述学上的贡献而且具有意义上的深度。论文从社会、历史与文化批判的视角,结合分析作品的叙述策略,从多层面维度对作品的反文化主题进行探究。 展开更多
关键词 《第22条军规》 叙事 反文化政治
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颠覆西方传统小说的叙事原则——评约瑟夫·海勒的《第22条军规》
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作者 冉东平 《岭南师范学院学报》 2017年第4期87-92,131,共7页
约瑟夫·海勒的黑色幽默小说《第22条军规》颠覆了传统美学对幽默的理论界定,它将正与反、悲与喜等因素完美地统一在一起,使两种含意在语义上造成强烈的碰撞效果,以形成荒诞性。小说人物形象的碎片化、去庄严化、去中心化等使其与... 约瑟夫·海勒的黑色幽默小说《第22条军规》颠覆了传统美学对幽默的理论界定,它将正与反、悲与喜等因素完美地统一在一起,使两种含意在语义上造成强烈的碰撞效果,以形成荒诞性。小说人物形象的碎片化、去庄严化、去中心化等使其与西方传统小说拉开了距离;作品中没有了那种高大威猛、所向披靡的英雄形象,而是一群猥琐的、胆小的、变态的、荒诞的侏儒式人物。在叙事模式上它打破西方传统线性叙事模式和时空顺序来安排情节,以跳跃式的,非自然的方法来变幻时空。小说的叙事语言具有后现代主义小说的风格,句子之间缺少因果联系的基本要素,使得小说的句子和段落在意群上具有一种碎片性、散乱性的现象。 展开更多
关键词 黑色幽默小说 约瑟夫·海勒 《第22条军规》
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A Brave Failure--An Analysis of Yossarian in Catch - 22
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作者 邓锋 《德阳教育学院学报》 2005年第2期31-32,34,共3页
Catch - 22 , the masterpiece of Joseph Heller, is the major work of Black Humor literature. The core of Black Humor is the Absurd. This paper mainly deals with the protagonist of Catch - 22, who is caught in an absurd... Catch - 22 , the masterpiece of Joseph Heller, is the major work of Black Humor literature. The core of Black Humor is the Absurd. This paper mainly deals with the protagonist of Catch - 22, who is caught in an absurd situation Catch-22. Through analysis, we can see that Yossarian is a brave person, for he rejects Catch - 22, which increases his horror of death and makes him feel that his bombing mission is pointless and unimportant. And at the same time, he is a fail person, for he can never escape the world - spread Catch - 22, and his retreating to Sweden also means his failure. The whole situation is absurd and illoggical, which is irrevocable in that age, like the same situation in 1960s, especially like the situation those Hippies were in. After WW II , many Americans suffered persecution, both in political area and in business area. People felt very hopeless. So they rebelled constantly. They refuse to conform the tradition of morality and revolted the rule of government, like what yossarian has done against Catch- 22, in the totally chaotic world, though they cannot predict any hope of victory.The ages they were in decided that they were failures, the same as the essence of war decides Yossarian a failure.The war, together with the island Pianosa allude to the insane, trance- like, con, fused American society in 1960s; Yossarian, the drug- taking hippy generation of 1960s. Both of them, according to their ages, are brave failures. 展开更多
关键词 ANALYSIS FAILURE in
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Domestication in the Translation of Catch 22
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作者 吴辉 《海外英语》 2019年第19期122-124,共3页
Domestication and foreignization are two frequently used translation strategies.However,for the majority of transla?tors,the choice between them is still a problem till now.On the one hand,it’s a good opportunity for... Domestication and foreignization are two frequently used translation strategies.However,for the majority of transla?tors,the choice between them is still a problem till now.On the one hand,it’s a good opportunity for target readers to learn more about foreign culture with the help of foreignization.On the other hand,domestication method can also contribute to the efficient transmission of culture.If translators pursue foreignization blindly,it will only lead to counterproductive result.There?fore,in order to explore the vale of domestication method when translating,two major Chinese translations of Catch 22 are cho?sen to make a comparative analysis from the lexical,phrasal,sentential level.The result shows that the adoption of domestication method in translation is still of great significance. 展开更多
关键词 DOMESTICATION METHOD FOREIGNIZATION METHOD CATCH 22
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约瑟夫·海勒作品中的无形见有形(英文)
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作者 吴泽庆 《世界文学评论(长江文艺出版社)》 2006年第2期177-179,共3页
海勒的第一部最响誉的长篇小说《第二十二条军规》,被认为二战后时代的经典之作。本文试图评论小说中重复的运用使作品中的无形见有形。这成功地展示了海勒世界中恐怖的加深。
关键词 FORM formlessness HORROR catch-22
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后现代主义文学的不确定性特征——以《第二十二条军规》的黑色幽默叙事策略为例 被引量:18
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作者 胡铁生 夏文静 《吉林大学社会科学学报》 CSSCI 北大核心 2015年第2期140-147,175-176,共8页
在现代文学乃至当代文学的发展潮流中,现实主义、现代主义和后现代主义呈继承与发展的关系。约瑟夫·海勒受哲学、语言学、自然科学、文学潮流和社会后现代性的影响,引进黑色幽默的叙事策略,在小说作品《第二十二条军规》中体现出... 在现代文学乃至当代文学的发展潮流中,现实主义、现代主义和后现代主义呈继承与发展的关系。约瑟夫·海勒受哲学、语言学、自然科学、文学潮流和社会后现代性的影响,引进黑色幽默的叙事策略,在小说作品《第二十二条军规》中体现出后现代主义文学的不确定性特征。黑色幽默的叙事策略与幽默的叙事策略既有相同之处,又有其独特之处。从主题到情节,海勒以语言逻辑上的悖论和语言实验以及话语游戏作为该小说的主要叙事策略,在解构"逻各斯中心"的同时,将后现代主义小说的不确定性发展到极致,对当代文学的创作形成了重要影响,为当代文学的发展找到了新的途径。 展开更多
关键词 约瑟夫·海勒 《第二十二条军规》 后现代主义 黑色幽默 不确定性 叙事策略
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通信密码学前瞻:量子密码技术 被引量:6
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作者 熊红凯 施惠昌 戴善荣 《上海大学学报(自然科学版)》 CAS CSCD 2000年第2期150-156,共7页
安全性是密码学研究一直追求的目标 ,最近取得飞速发展的量子加密技术综合了量子力学原理和经典密码术 ,具有可证明的安全性 ,同时还能对窃听者的非法侵入进行检测 ,克服了传统密码学的桎梏 ,为未来的网络通信提供了真正确实的保障 .此... 安全性是密码学研究一直追求的目标 ,最近取得飞速发展的量子加密技术综合了量子力学原理和经典密码术 ,具有可证明的安全性 ,同时还能对窃听者的非法侵入进行检测 ,克服了传统密码学的桎梏 ,为未来的网络通信提供了真正确实的保障 .此文讨论了量子加密的相关研究及实用化实验模型 ,详细说明了量子密钥分发协议 。 展开更多
关键词 量子加密 通信密码学 量子密码技术 安全性
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