Visual media have dominated sensory communications for decades,and the resulting“visual hegemony”leads to the call for the“auditory return”in order to achieve a holistic balance in cultural acceptance.Romance of t...Visual media have dominated sensory communications for decades,and the resulting“visual hegemony”leads to the call for the“auditory return”in order to achieve a holistic balance in cultural acceptance.Romance of the Three Kingdoms,a classic literary work in China,has received significant attention and promotion from leading audio platforms.However,the commercialization of digital audio publishing faces unprecedented challenges due to the mismatch between the dissemination of long-form content on digital audio platforms and the current trend of short and fast information reception.Drawing on the Business Model Canvas Theory and taking Romance of the Three Kingdoms as the main focus of analysis,this paper argues that the construction of a business model for the audio publishing of classical books should start from three aspects:the user evaluation of digital audio platforms,the establishment of value propositions based on the“creative transformation and innovative development”principle,and the improvement of the audio publishing infrastructure to ensure the healthy operation and development of the digital audio platforms and consequently improve their current state of development and expand the boundaries of cultural heritage.展开更多
As the first representative of the African Film Association in Asia,Luc Bendza is dedicated to promoting the dynamism of African cinema among Chinese filmmakers.On the occasion of the 14th Beijing International Film F...As the first representative of the African Film Association in Asia,Luc Bendza is dedicated to promoting the dynamism of African cinema among Chinese filmmakers.On the occasion of the 14th Beijing International Film Festival,he succeeded in organising the African Film Promotion Conference in Beijing on 22 April.Bendza hopes this will promote Sino-African cooperation and exchange in the field of cinema,especially through coproductions,which he believes are mutually beneficial.The event brought together African and Chinese producers and directors who presented their joint film projects planned for the next two years.These collaborations characterise the fusion of Chinese and African elements,ranging from characters and actors to the locations and languages.展开更多
基金This study is a phased achievement of the“Research on Innovative Communication of Romance of the Three Kingdoms under Audio Empowerment”project(No.23ZGL16)funded by Zhuge Liang Research Center,a key research base of social sciences in Sichuan Province.
文摘Visual media have dominated sensory communications for decades,and the resulting“visual hegemony”leads to the call for the“auditory return”in order to achieve a holistic balance in cultural acceptance.Romance of the Three Kingdoms,a classic literary work in China,has received significant attention and promotion from leading audio platforms.However,the commercialization of digital audio publishing faces unprecedented challenges due to the mismatch between the dissemination of long-form content on digital audio platforms and the current trend of short and fast information reception.Drawing on the Business Model Canvas Theory and taking Romance of the Three Kingdoms as the main focus of analysis,this paper argues that the construction of a business model for the audio publishing of classical books should start from three aspects:the user evaluation of digital audio platforms,the establishment of value propositions based on the“creative transformation and innovative development”principle,and the improvement of the audio publishing infrastructure to ensure the healthy operation and development of the digital audio platforms and consequently improve their current state of development and expand the boundaries of cultural heritage.
文摘As the first representative of the African Film Association in Asia,Luc Bendza is dedicated to promoting the dynamism of African cinema among Chinese filmmakers.On the occasion of the 14th Beijing International Film Festival,he succeeded in organising the African Film Promotion Conference in Beijing on 22 April.Bendza hopes this will promote Sino-African cooperation and exchange in the field of cinema,especially through coproductions,which he believes are mutually beneficial.The event brought together African and Chinese producers and directors who presented their joint film projects planned for the next two years.These collaborations characterise the fusion of Chinese and African elements,ranging from characters and actors to the locations and languages.
