"No building comes without carvings,and carvings make buildings more valuable,n goes an old saying in Minnan,an area in southern Fujian Province.The saying refers to brick carvings,which were an important feature..."No building comes without carvings,and carvings make buildings more valuable,n goes an old saying in Minnan,an area in southern Fujian Province.The saying refers to brick carvings,which were an important feature of the old red brick buildings in the area.展开更多
Linxia brick carving is an artistic carrier of multi-ethnic cultural intermingling,but its symbolic abstraction and diversity make digital conservation challenging.Currently,the traditional qualitative recording metho...Linxia brick carving is an artistic carrier of multi-ethnic cultural intermingling,but its symbolic abstraction and diversity make digital conservation challenging.Currently,the traditional qualitative recording methods are unable to realize dynamic analysis and innovative applications.This study builds a framework for the integration of vector representation and multimodal semantic mapping,and uses that framework to quantify the historical semantics,artistic fusion,and technological features of Linxia brick carving cultural heritage by constructing a 26-dimensional vector space.This approach allowed us to solve the semantic heterogeneity of the textual-image data through the help of structured descriptive templates.The results show that this framework can support the systematic analysis and innovation of Linxia brick carving cultural symbols with high classification accuracy and reveal the structured semantic association of patterns.This study realizes the transformation of abstract symbols to computable values through the generalized 26-dimensional vectors,and can use standardized templates to regulate their digital expressions,depending on multimodal data sets that establish the multidimensional innovation of artificial intelligence-driven protection mechanisms.The results can provide methodological support for the shift in cultural heritage from static records to living inheritance,and demonstrate potential transferability to analogous heritage contexts through dimensional remapping and template localization strategies.These advances can promote the deep integration of artificial intelligence and traditional art symbols,and thus support research on the protection strategies for traditional cultural heritage in the era of digitalization.展开更多
文摘"No building comes without carvings,and carvings make buildings more valuable,n goes an old saying in Minnan,an area in southern Fujian Province.The saying refers to brick carvings,which were an important feature of the old red brick buildings in the area.
基金The 2022 General Project of Gansu Provincial Philosophy and Social Sciences Planning(2022YB034)。
文摘Linxia brick carving is an artistic carrier of multi-ethnic cultural intermingling,but its symbolic abstraction and diversity make digital conservation challenging.Currently,the traditional qualitative recording methods are unable to realize dynamic analysis and innovative applications.This study builds a framework for the integration of vector representation and multimodal semantic mapping,and uses that framework to quantify the historical semantics,artistic fusion,and technological features of Linxia brick carving cultural heritage by constructing a 26-dimensional vector space.This approach allowed us to solve the semantic heterogeneity of the textual-image data through the help of structured descriptive templates.The results show that this framework can support the systematic analysis and innovation of Linxia brick carving cultural symbols with high classification accuracy and reveal the structured semantic association of patterns.This study realizes the transformation of abstract symbols to computable values through the generalized 26-dimensional vectors,and can use standardized templates to regulate their digital expressions,depending on multimodal data sets that establish the multidimensional innovation of artificial intelligence-driven protection mechanisms.The results can provide methodological support for the shift in cultural heritage from static records to living inheritance,and demonstrate potential transferability to analogous heritage contexts through dimensional remapping and template localization strategies.These advances can promote the deep integration of artificial intelligence and traditional art symbols,and thus support research on the protection strategies for traditional cultural heritage in the era of digitalization.
