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苏百钧《洪荒万灵图》的色彩与意境
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作者 冯华芬 《色彩》 2025年第4期97-100,共4页
苏百钧《洪荒万灵图》创作于2020年,时值疫情初期,艺术家或直观表达当时疫情现象,或借由特定的绘画语言来表达由疫情而触发的情思。值此契机,苏百钧在阅历、思想、文化根基等多重因素的加持下,创作出宁静、旷远、自然中蕴含节奏感与秩... 苏百钧《洪荒万灵图》创作于2020年,时值疫情初期,艺术家或直观表达当时疫情现象,或借由特定的绘画语言来表达由疫情而触发的情思。值此契机,苏百钧在阅历、思想、文化根基等多重因素的加持下,创作出宁静、旷远、自然中蕴含节奏感与秩序感的《洪荒万灵图》。画家以青、绿、赭、黄肆意泼洒出洪荒之境,又以墨笔皴擦勾写其中生灵,泼墨泼彩的宏阔豪迈与皴擦勾写的朴拙苍老共同建构出一幅山水自然与花鸟动物和谐共生的场景,营造出“天地与我并生,万物与我为一”的意境。本文旨在探析《洪荒万灵图》中色彩与意境营造之间的关系,以此揭示灵兽题材绘画的当代性表达。 展开更多
关键词 苏百钧 《洪荒万灵图》 色彩 意境
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Magazine Review
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《China & The World Cultural Exchange》 2019年第1期4-5,共2页
Interview of Li Baijun --Natural and Origina Li Baijun was borm in a peasant family in the Yimeng mountain area of Shandong province.After graduating from university in 1976,Li Baijun insisted on photography for over ... Interview of Li Baijun --Natural and Origina Li Baijun was borm in a peasant family in the Yimeng mountain area of Shandong province.After graduating from university in 1976,Li Baijun insisted on photography for over 40 years.His shots are always concerned with the folks in his hometown and in close contact with them.In Li Baijun's works,we can feel his understanding of the development and changes of rural areas as a man far from hometown,as well'as the mixed feelings with joy,hesitation and loss of peasants in the process of urbanization. 展开更多
关键词 MAGAZINE REVIEW LI baijun
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