Developments of two-dimensional single-mode light/heavy interfaces driven by convergent shock waves are numerically investigated,focusing on the effect of the Atwood number on the Rayleigh-Taylor stabilization,the com...Developments of two-dimensional single-mode light/heavy interfaces driven by convergent shock waves are numerically investigated,focusing on the effect of the Atwood number on the Rayleigh-Taylor stabilization,the compressibility and the nonlinearity.Five different test gases,including C〇2,Kr,R22,R12 and SF6,are considered with air as the ambient gas.It is clarified for the first time that the unperturbed interface begins to decelerate when the shock focuses at the convergence center,and the acceleration during the deceleration phase is proportional to the Atwood number.During the first reshock,the interface moves outwards with a deceleration until it starts moving inwards.When the initial interface is weakly disturbed,a more obvious amplitude reduction is observed for the case with a larger Atwood number before the reshock,which means that the Rayleigh-Taylor stabilization is stronger.To assess the effect of the Atwood number on the compressibility and the nonlinearity,three models,including a linear incompressible model,a nonlinear incompressible model and a linear compressible model,are adopted to predict the amplitude growth before the reshock.The results show that the nonlinearity is weak,and is almost not influenced by the Atwood number before the reshock.The compressibility,however,greatly changes the amplitude growth.As the Atwood number increases,the compressibility plays a less significant role in the amplitude growth because a heavier gas is harder to be compressed.Although a gas with a larger specific heat ratio is also difficult to be compressed,the specific heat ratio plays a minor role to the compressibility relative to the Atwood number.During the reshock,the amplitude grows linearly until the nonlinearity in the cases with large Atwood numbers is strong enough to reduce the amplitude growth rate.展开更多
As the global climate situation worsens and more scholars become aware of the existence and necessity of the climatic fiction,the shift in climate change writing not only connects the humanities with the natural scien...As the global climate situation worsens and more scholars become aware of the existence and necessity of the climatic fiction,the shift in climate change writing not only connects the humanities with the natural sciences,but also raises the public eye to a global perspective.With the purpose of humanistic care,Chinese and foreign novelists have captured the political contradictions and scientific and technological discussions caused by climate change,and created a large number of science fiction novels with climate change as the background.Chinese writer Liu Cixin and Canadian writer Margaret Atwood have used climate change as a background to write science fiction novels,expressing concerns about the environmental impact of climate change on human survival,and drawing human attention to climate change by comparing the similarities and differences between the two climate change writings.展开更多
The feminist movement has driven the reinterpretation of classical texts such as Homer’s epics,with Margaret Atwood’s works exemplifying this trend.Atwood has created poetry and novels rooted in the tradition of fem...The feminist movement has driven the reinterpretation of classical texts such as Homer’s epics,with Margaret Atwood’s works exemplifying this trend.Atwood has created poetry and novels rooted in the tradition of feminist rewriting,utilizing mythological female figures like Helen and Penelope to explore their inner worlds and unveil the long-concealed mechanisms of patriarchal power.Employing techniques such as multiple perspectives and nonlinear narratives,she disrupts the constraints of a singular authoritative discourse.By merging the ancient with the modern,Atwood highlights the shared experiences of women while portraying the awakening of female consciousness.She transforms the stereotypical images of the“whore”and the“virtuous wife”into complex,autonomous individuals,challenging traditional gender role definitions.Atwood’s rewritings are not merely retellings of the original stories but also explorations of the deeper structures of gender power.She weaves a rich cultural network of women,opening new frontiers for“literature of their own.”展开更多
基金This work was supported by the National Natural Science Foundation of China(Grants 11772329 and 11625211).
文摘Developments of two-dimensional single-mode light/heavy interfaces driven by convergent shock waves are numerically investigated,focusing on the effect of the Atwood number on the Rayleigh-Taylor stabilization,the compressibility and the nonlinearity.Five different test gases,including C〇2,Kr,R22,R12 and SF6,are considered with air as the ambient gas.It is clarified for the first time that the unperturbed interface begins to decelerate when the shock focuses at the convergence center,and the acceleration during the deceleration phase is proportional to the Atwood number.During the first reshock,the interface moves outwards with a deceleration until it starts moving inwards.When the initial interface is weakly disturbed,a more obvious amplitude reduction is observed for the case with a larger Atwood number before the reshock,which means that the Rayleigh-Taylor stabilization is stronger.To assess the effect of the Atwood number on the compressibility and the nonlinearity,three models,including a linear incompressible model,a nonlinear incompressible model and a linear compressible model,are adopted to predict the amplitude growth before the reshock.The results show that the nonlinearity is weak,and is almost not influenced by the Atwood number before the reshock.The compressibility,however,greatly changes the amplitude growth.As the Atwood number increases,the compressibility plays a less significant role in the amplitude growth because a heavier gas is harder to be compressed.Although a gas with a larger specific heat ratio is also difficult to be compressed,the specific heat ratio plays a minor role to the compressibility relative to the Atwood number.During the reshock,the amplitude grows linearly until the nonlinearity in the cases with large Atwood numbers is strong enough to reduce the amplitude growth rate.
基金primary achievement,supported by a grant from the Innovative Research Program of Wuhan University of Technology.
文摘As the global climate situation worsens and more scholars become aware of the existence and necessity of the climatic fiction,the shift in climate change writing not only connects the humanities with the natural sciences,but also raises the public eye to a global perspective.With the purpose of humanistic care,Chinese and foreign novelists have captured the political contradictions and scientific and technological discussions caused by climate change,and created a large number of science fiction novels with climate change as the background.Chinese writer Liu Cixin and Canadian writer Margaret Atwood have used climate change as a background to write science fiction novels,expressing concerns about the environmental impact of climate change on human survival,and drawing human attention to climate change by comparing the similarities and differences between the two climate change writings.
文摘The feminist movement has driven the reinterpretation of classical texts such as Homer’s epics,with Margaret Atwood’s works exemplifying this trend.Atwood has created poetry and novels rooted in the tradition of feminist rewriting,utilizing mythological female figures like Helen and Penelope to explore their inner worlds and unveil the long-concealed mechanisms of patriarchal power.Employing techniques such as multiple perspectives and nonlinear narratives,she disrupts the constraints of a singular authoritative discourse.By merging the ancient with the modern,Atwood highlights the shared experiences of women while portraying the awakening of female consciousness.She transforms the stereotypical images of the“whore”and the“virtuous wife”into complex,autonomous individuals,challenging traditional gender role definitions.Atwood’s rewritings are not merely retellings of the original stories but also explorations of the deeper structures of gender power.She weaves a rich cultural network of women,opening new frontiers for“literature of their own.”
