The paper deals with ontology modelling for the purpose of design and creating of knowledge ontology for thematic cartography.The prepared ontology represents a database of selected declarative cartographical knowledg...The paper deals with ontology modelling for the purpose of design and creating of knowledge ontology for thematic cartography.The prepared ontology represents a database of selected declarative cartographical knowledge subsequently employed in the intelligent system for interactive support of thematic map design.The knowledge system pilot project under development is intended for users without necessary cartographical knowledge to whom such system will enable interactive creation of a thematic map and will provide them with support to this aim.The paper brings up information on possibilities of a domain expert(cartographer)in the endeavour to seize domain knowledge of thematic cartography and to express them in a formalized way.OWL ontology concentrates,formalizes and organizes declarative knowledge of thematic cartography domain.The result is the database containing taxonomy of terms hierarchically arranged into categories as well as description of their mutual relations.展开更多
To enter into and utilize the resources of ancient literature is a necessity for literary modernity. In the twentieth century, modern Chinese literature generally adopted four paradigms in pursuit of this objective： ...To enter into and utilize the resources of ancient literature is a necessity for literary modernity. In the twentieth century, modern Chinese literature generally adopted four paradigms in pursuit of this objective： the socio-political paradigm that viewed traditional literature in terms of ＂quintessence-dross＂ under the guidance of the Marxist doctrine of the critical inheritance of cultural heritage; the ＂spiritual awakening＂ paradigm that, being inspired by Western schools of thought such as hermeneutics, viewed traditional literature as ＂the source of new literature＂; the scientific-aesthetic paradigm that viewed traditional literature as combining scientific interpretation and modern aesthetics and focused on interpretation, transformation, innovation and creation from within; and the folk paradigm that viewed literary tradition as a narrative of daily life demonstrating the way in which ancient and modern literature were connected in a cultural whole. What is important in the complementary and competitive development of these coexisting paradigms is highlighting ＂problem consciousness＂ in ＂interaction＂ and ＂original creation＂ and the reconstruction of the value of real human life through entering into and reactivating the resources of ancient literature.展开更多
基金supported by the Czech Science Foundation under Grant No.205/09/1159.Support of the Czech Science Foundation is gratefully acknowledged.
文摘The paper deals with ontology modelling for the purpose of design and creating of knowledge ontology for thematic cartography.The prepared ontology represents a database of selected declarative cartographical knowledge subsequently employed in the intelligent system for interactive support of thematic map design.The knowledge system pilot project under development is intended for users without necessary cartographical knowledge to whom such system will enable interactive creation of a thematic map and will provide them with support to this aim.The paper brings up information on possibilities of a domain expert(cartographer)in the endeavour to seize domain knowledge of thematic cartography and to express them in a formalized way.OWL ontology concentrates,formalizes and organizes declarative knowledge of thematic cartography domain.The result is the database containing taxonomy of terms hierarchically arranged into categories as well as description of their mutual relations.
文摘To enter into and utilize the resources of ancient literature is a necessity for literary modernity. In the twentieth century, modern Chinese literature generally adopted four paradigms in pursuit of this objective： the socio-political paradigm that viewed traditional literature in terms of ＂quintessence-dross＂ under the guidance of the Marxist doctrine of the critical inheritance of cultural heritage; the ＂spiritual awakening＂ paradigm that, being inspired by Western schools of thought such as hermeneutics, viewed traditional literature as ＂the source of new literature＂; the scientific-aesthetic paradigm that viewed traditional literature as combining scientific interpretation and modern aesthetics and focused on interpretation, transformation, innovation and creation from within; and the folk paradigm that viewed literary tradition as a narrative of daily life demonstrating the way in which ancient and modern literature were connected in a cultural whole. What is important in the complementary and competitive development of these coexisting paradigms is highlighting ＂problem consciousness＂ in ＂interaction＂ and ＂original creation＂ and the reconstruction of the value of real human life through entering into and reactivating the resources of ancient literature.
