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When Pursuing the Extraordinary,Remain Ordinary—An Exploration of the Aesthetic Logic Behind Liu Hongbiao's Wild Cursive Calligraphy
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作者 Liang Zhining Shangguan Wenjin 《Art & Design for Humanity》 2026年第3期12-21,共10页
Liu Hongbiao stands as a seminal figure in the contemporary calligraphy scene,emblematic of the modern transformation of traditional calligraphic art.His artistic practice and theoretical framework embody a creative s... Liu Hongbiao stands as a seminal figure in the contemporary calligraphy scene,emblematic of the modern transformation of traditional calligraphic art.His artistic practice and theoretical framework embody a creative synthesis that is deeply rooted in tradition while actively engaging with contemporaneity.Guided by the principle of"antiquity in structure,modernity in form"and underpinned by a dialectical philosophy,Liu has redefined the aesthetic paradigm of wild cursive script.Demonstrating a profound mastery of classical brushwork,character structure,and rhythmic vitality,he has pioneered innovations in large-format wild cursive while adhering to orthodox principles.By integrating dialectical thinking into his practice,he has engendered a new expressive rhythm imbued with artistic tension and the spirit of the era.Furthermore,Liu amalgamates the cultural heritage of Jiangyou with his personal nostalgia to forge a regionally inflected calligraphy,thereby linking the art form to both historical memory and individual sentiment.Ultimately,his wild cursive calligraphy offers a compelling paradigm for understanding the potential trajectory of traditional calligraphy within a contemporary context. 展开更多
关键词 Liu Hongbiao Wild cursive script Calligraphy Aesthetics Pingxiang Calligrapher
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A Study on Quantitative Evaluation of Calligraphy Characters
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作者 Zelong Wang Mengyuan Liao Zenichiro Maekawa 《Computer Technology and Application》 2016年第2期103-122,共20页
In this study, a numerical method was proposed to evaluate the calligraphy work called calligraphy evaluation system. Four classical chirographies of "Kaisho", "Gyosho", "Sousho" and "Hiragana", and 47 charact... In this study, a numerical method was proposed to evaluate the calligraphy work called calligraphy evaluation system. Four classical chirographies of "Kaisho", "Gyosho", "Sousho" and "Hiragana", and 47 characters for each chirography, were selected and analyzed by this system. The "Sumi" distribution of character was clarified from 12 directions and summarized into four parts of horizontal part, diagonal left part, vertical part and diagonal fight part. The character's contour line was converted to a signal data in order to calculate roundness index. The degree of character's radian was presented by roundness index. The smooth index was calculated at the same time. Additionally, width index, "Sumi" ratio, stability index also were calculated to contrast the features of each style. The main character points of four styles of "Kaisho', "Gyosho", "Sousho", "Hiragana" were extracted to compare each other, and provide a reference for learners. The learners could obtain the quantitative data to understand their work's characteristics. It can also be compared with other person's work by this system in order to improve learners' writing skill. 展开更多
关键词 CALLIGRAPHY chirography QUANTIZATION EVALUATION regular script running script cursive script hiragana.
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