The paper takes the relation between soundscapes and power struggles as its problem area and focuses on the role of music that is performed in public protests. It argues that music and street performances are conceive...The paper takes the relation between soundscapes and power struggles as its problem area and focuses on the role of music that is performed in public protests. It argues that music and street performances are conceived and therefore utilised as sonic acts of political struggle in urban realm. Starting with a general understanding of hearing mechanisms, the study elucidates the relationships among territoriality of soundscape, identity construction, social segregation and polarisation, and finally, power struggle. Within the framework of the intersection area of these concepts, the paper discusses the processes of politisation of soundscape through music as a form of protest event that is performed in public realm. Throughout the paper, it is focused on the significant cases of public protests as well as political events that occured in public space. The main emphasis is on the use of sound technologies to impose power on masses of people. The paper tackles the question of how the salient characteristics of soundscape are sonically adopted as means for counter-political acts in public realm.展开更多
文摘The paper takes the relation between soundscapes and power struggles as its problem area and focuses on the role of music that is performed in public protests. It argues that music and street performances are conceived and therefore utilised as sonic acts of political struggle in urban realm. Starting with a general understanding of hearing mechanisms, the study elucidates the relationships among territoriality of soundscape, identity construction, social segregation and polarisation, and finally, power struggle. Within the framework of the intersection area of these concepts, the paper discusses the processes of politisation of soundscape through music as a form of protest event that is performed in public realm. Throughout the paper, it is focused on the significant cases of public protests as well as political events that occured in public space. The main emphasis is on the use of sound technologies to impose power on masses of people. The paper tackles the question of how the salient characteristics of soundscape are sonically adopted as means for counter-political acts in public realm.
