摘要
通过对不同时期不同流派油画作品的造型与色彩的比较,分析了油画的形、色、笔触、肌理、线条、节奏和韵律等基本构成要素,认为油画是作者在对生活深入观察的基础上,在表现性意识的作用下,把自己时自然生活物象的强烈而真挚的情感,通过娴熟的绘画技巧将绘画元素转化为具有形式美和生命力的一种特有的表达方式,指出油画的最终目标应当是形式美和内在美的高度统一。
A comparison of designs and colors is made in this paper to the oil-paint works of different time and schools with analysis made on the basic factors of oil paint, such as forms, colors, strokes, textures, lines, rhymes and rhythms. It is held that oil paint is a special linguistic way in which the artist, having made a deep observation of life, transforms his strong and true feelings towards the objects in natural life into works with formal and interior beauties under the influence of representational consciousness. In this case, the utmost pursuit of oil paint should be the high-degree unification of formal and interior beauties.
出处
《淮海工学院学报（人文社会科学版）》
2003年第4期57-59,共3页
Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)
