摘要
以杰弗里·巴瓦的建筑实践为例,探讨"空间的身体意向性"如何成为针对现代建筑传统中的"客观还原论"的批判性实践.通过分析其代表作品,揭示巴瓦如何以地形、行为与知觉为核心,将建筑转化为身体与环境对话的媒介,最终实现"自然世界的人文化".批判了现代主义对几何原型的迷恋,呼吁建筑学回归具身经验,完成从"观念造型"到"生活造型"的范式转向.
This paper takes the architectural practice of Geoffrey Bava as a case study to explore how the"bodily intentionality of space"serves as a critical practice against the"objective reductionism"inherent in the modernist architectural tradition.Through analyses of Bava's typical works,it reveals how Bava centers on topography,behavior,and perception to transform architecture into a medium of the dialogue between the body and environment,to achieve the"humanization of the natural world"in the end.The paper critiques modernism's obsession with geometric prototypes and calls for a return to embodied experience in architecture,advocating for a paradigmatic turn from"conceptual modeling"to"life modeling".
作者
金秋野
刘力源
JIN Qiuye;LIU Liyuan
出处
《建筑学报》
2026年第3期59-67,共9页
Architectural Journal
关键词
杰弗里·巴瓦
身体意向性
自然的人文化
客观还原论
匀质空间
建筑现象学
Geoffrey Bava
bodily intentionality
natural huma nization
objective reducti on ism
homogeneous space
architectural phenomenology
