摘要
文学作品被奉为经典后并非一劳永逸,经典文本须不断接受历时性维度与共时性维度的检验。其中,普通读者是文学经典建构的关键要素,而新中国“十七年”时期群众的文化基础薄弱,经典文本的传播难以抵达大众的接受场域。由此,文学与大众文艺媒介的联姻,遂成为促进经典跨媒介传播的有效策略。作为跨媒介传播的产物,画家贺友直的连环画是对小说《山乡巨变》的再生产,推动了原著的世俗化传播与经典化建构。它通过“图—文”互文、对比叙事、化用意象、形绘人物群像的修辞手法来书写“农村变革”,向观者展开兼具过程性与故事性的图像叙事,并且从中探察跨媒介传播对建构文学经典的得与失。
After the literary works are regarded as classics,it is not once and for all.The classical texts must be constantly tested by both the diachronic and the synchronic dimensions.Among them,ordinary readers are the key to the construction of literary classics,while the cultural foundation of the masses in the new China period is weak,and the dissemination of classical texts is difficult to reach the public's acceptance.Therefore,the marriage between literature and mass literary and artistic media has become an effective strategy to promote the cross-media dissemination of classics.As a product of cross-media communication,He Youzhi's comic strip is a reproduction of the novel The Great Change in a Mountain Village and promotes the secular communication and classical construction of the original work.It writes the"rural transformation"through the rhetorical techniques of"picture-text"intertextuality,comparative narrative,imagery,and group portraits,and launches a process-based and story-based image narration to the viewer,from which it can explore the gains and losses of cross-media communication in the construction of literary classics.
作者
袁丽文
YUAN Liwen(College of Chinese Language and Culture,Guangdong University of Foreign Studies,Guangzhou 510420;Shenzhen Cuiyuan Dongxiao Middle Shool,Shenzhen 518019,Guangdong,China)
出处
《惠州学院学报》
2026年第1期84-89,共6页
Journal of Huizhou University
基金
广东外语外贸大学研究生创新项目(2023-YCX-17)。
关键词
文学经典
连环画《山乡巨变》
农村变革
图像叙事
跨媒介传播
literary classics
the comic strip The Great Change in a Mountain Village
rural transformation
image narration
crossmedia communication
