摘要
桐乡舞方天戟作为江南地区独特的兵器舞蹈,其传承谱系在明末清初的社会生态中萌芽,历经清代至民国的功能转型与谱系拓展,形成了以陈氏家族为核心、融合地缘与师徒网络的动态传承机制。该技艺的动作体系既遵循器械力学逻辑,又承载“忠义”伦理与“辟邪”信仰,通过“开四门”“托戟望月”等动作实现从实用格斗到仪式表演的功能演变,并与水乡地域文化深度互嵌。研究发现,其传承始终平衡“正统性”与“适应性”,在当代面临社会环境变迁、人才断层及保护创新难题的背景下,通过完善人才培养、平衡传承与创新、推动文化资本转化,可成为地方文化软实力的重要载体,为民间技艺的活态传承提供典型个案与实践路径。
The Tongxiang Fangtianji Dance,a distinctive weapon-based performing art originating from China's Jiangnan region,traces its lineage to the socio-cultural context of the late Ming and early Qing dynasties.Through functional evolution and genealogical expansion spanning the Qing Dynasty to the Republican era,itdeveloped a dynamic transmission mechanism centered on the Chen family lineage,while incorporating regional networks and master-disciple relationships.This art form's movement system adheres to weapon mechanics while embodying the ethical concept of"loyalty-righteousness"and the folk belief of"evil-warding".Signature routines like"Opening the Four Gates"and"Holding the Ji to Gaze at the Moon"exemplify its transformation from combat techniques to ritual performance,deeply embedded in the aquatic cultural ecology.The study reveals its transmission history balanced orthodox preservation with adaptive innovation.Contemporary challenges-including social changes,a shortages of practitioner,and the tension between preservation and innovation—can be addressed through systematic talent cultivation,balanced tradition-modernization approaches,and cultural capital conversion.This case offers valuable insights for the safeguarding of intangible cultural heritage worldwide.
作者
陈琼
CHEN Qiong(Jiaxing Vocational and Technical College,Jiaxing 314000,China)
出处
《浙江体育科学》
2026年第1期103-107,共5页
Zhejiang Sport Science
关键词
桐乡舞方天戟
家族谱系
技艺秘传
文化资本
民间技艺
Tongxiang Fangtianji Dance
genealogical transmission
martial arts heritage
cultural capital
intangible cultural heritage
