摘要
牧风散文诗集《青藏旧时光》以“文本考古学”方法展开精神地理学建构与抒情现代性的诗学实践。该创作围绕三个核心维度展开:首先,在“甘南作为方法”的书写中,通过自然意象的圣化、创伤记忆的抒情疗愈与游牧美学的当代转型,实现地理空间向精神场域的转化;其次,借助考古诗学的物质转向、多模态感官叙事与口传书写互文,激活藏族文化记忆的现代性表达;最后,以地方性持守的诗化抵抗、跨文明对话视野与生态伦理介入,呈现文化基因转码对全球化困境的回应。通过诗性语言重构高原记忆,作品完成民族文化符码的现代性转译,其创作实践为多民族文学在保持文化根性的同时实现现代转型提供了重要范式,彰显了文学在文明对话、生态重构与精神救赎中的审美价值。
Old Times in Qinghai-Tibet,a prose poetry collection by Mu Feng,conducts poetic practices of spiritual geography construction and lyric modernity from the perspective of“textual archaeology”.This creation unfolds around three core dimensions:Firstly,in the writing of“taking Gannan as a methodology”,it realizes the transformation of geographical space into a spiritual field through the sanctification of natural images,the lyrical healing of traumatic memories,and the contemporary transformation of nomadic aesthetics.Secondly,by virtue of the material turn of archaeological poetics,multi-modal sensory narration and the intertextuality of oral and written records,it activates the modern expression of Tibetan cultural memory.Finally,through the poetic resistance of local adherence,the perspective of cross-civilizational dialogue and the intervention of ecological ethics,it presents the response of cultural gene transcoding to the predicament of globalization.By reconstructing plateau memories with poetic language,the work completes the modern translation of ethnic cultural codes.Its creative practice provides an important paradigm for multi-ethnic literature to achieve modern transformation while maintaining cultural roots,and highlights the aesthetic value of literature in civilizational dialogue,ecological reconstruction and spiritual salvation.
作者
王顺天
WANG Shun-tian(School of Liberal Arts,Shandong University,Jinan 250100,China)
出处
《兰州文理学院学报(社会科学版)》
2026年第1期22-26,共5页
Journal of Lanzhou University of Arts and Science(Social Sciences Edition)
关键词
牧风
散文诗
精神地理学
抒情现代性
《青藏旧时光》
Mu Feng
prose poetry
spiritual geography
lyrical modernity
Old Times in Qinghai-Tibet
