摘要
本文从符号学诗学角度,引入"语象"概念,并重新审视传统诗学概念"意象",澄清了诗学中的语言、语象和意象三者的关系。语象与意象之别在于语言的符号化对象之不同,语象在符号学类型上有实体语象与转义语象之分,元语言与含蓄意指的共同作用能够说明语象的符号学生成机制。现代诗与古典诗在语言、美学原则、诗性定义等诗学本体上的诸方面不同,集中体现为语象与意象之别,语象理论的建设将促成中国诗学从古典向现代的转型。
This paper starts from the perspective of semiotic poetics and by introducing the poetic term＂verbal image＂and re-interpreting the traditional term＂yi xiang＂（ image-idea）,it tries to clarify the relationship between language,verbal image and Image-idea in poetics. Verbal image and image-idea can be distinguished for the different natures of their symbolic objects.Verbal image can be divided into physical verbal image and transferred verbal image. The combination of meta-language and connotative signification can illustrate the formation mechanism of verbal image. The difference in language use,aesthetic principle,and the definition of poetry between the modern and the classical poetry appears to be in the different use of verbal image and image-idea,and the paper concludes that the construction of verbal image theory may promote the shift from classical poetics to modern poetics in China.
出处
《文艺理论研究》
CSSCI
北大核心
2014年第3期195-202,共8页
Theoretical Studies in Literature and Art
基金
国家社会科学基金项目"朦胧诗以来现代汉语诗歌的语言问题研究"(11BZW096)阶段性成果
关键词
诗学
符号学
语象
意象
现代诗
poetics
semiotics
verbal image
image-idea
modern poems
