摘要
梦境是现实世界的投射。于中国历代的文人士大夫而言,江山鼎革无异梦魇。本文结合清初画家王鑑的代表作《梦境图》与清初易代文人的梦境为考察对象,研究认为:梦境不仅反映着画家的个体经验,同时亦映射着清初汉族士人的集体记忆;以纪梦题材抒写遗民意识,实为清初士人企图摆脱心理困境的一种释放途径。
Dream world is the projection of the real world.For the scholar-bureaucrats in Chinese history,the changes of dynasties were nothing but nightmares.Combining Image of Dream(Meng Jing Tu),the representative work of Wang Jian,a painter in early Qing,with scholars in early Qing who experienced the change of dynasties,this thesis thinks:dreams reflect not only the painters??individual experience,but also collective memories of scholarbureaucrats of Han nationality in early Qing;to depict the consciousness of adherents of a former dynasty through the subject of dreams was really a way for them to get over the psychological dilemma.
出处
《南京艺术学院学报（美术与设计）》
北大核心
2011年第5期65-68,177,共4页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
2011教育部人文社会科学研究一般项目<中国古代画家的自画作研究>(项目编号:11YJC760031)
2011年度江苏省教育厅高校哲学社会科学研究基金资助项目<明清画家自画作研究>(2011SJB760014)
关键词
《梦境图》
梦境
遗民
贰臣
Image of Dream(Meng Jing Tu),dream world,adherents of a former dynasty,turncoat official
