摘要
早在原始艺术阶段,戏剧与诗就有着隐秘的内在联系。随着人类艺术思维的成熟,戏剧与诗的美学关系进入了一个既各自独立又相互依恋的新阶段。在现代艺术中,戏剧中的诗性色彩与诗歌中的戏剧因素相互渗透。戏剧中的诗性色彩表现为剧作的诗性情感和结构的抒情性,它能在典型的戏剧和典型的诗之间建立一种舒缓这两种艺术形式内部张力的新形式。诗歌中的戏剧因素是通过情感的客观化、形式化使诗的艺术形式成为更经典的人类情感的"表现性"形式,它能拓展诗情空间,但并不节外生出某种新质。
In the primitive times,there was already an inner invisible connection between dramas and poems.With the maturation of the human＇s artistic thinking,the aesthetic relation between dramas and poems has stepped into a new stage which is not only independent of each other,but also interdependent of each other.In modern arts,the performances of both dramas and poems are being mutually infiltrated each other.The poetry performances are displayed as poetic emotion and the lyrics of composition.It can establish a new form,which would soothe the inner tension in these two artistic forms.And in poems,the dramatic performances can make it possible to turn out to be a more classical form of presenting human emotion through its objectified and formalized emotion.It enlarges the emotional space of poems,but never brings up any new characters unexpectedly.
出处
《河池学院学报》
2011年第1期24-27,共4页
Journal of Hechi University
关键词
戏剧与诗
中国新诗
戏剧元素
文体互渗
drama and poem
Chinese modern poems
dramatic performances
literary forms infiltrated mutually
