摘要
陶渊明的农业美学与生态观是其安于村居生活、安于农民角色、安于耕种劳作、安于乡村之美的农家思想,特重生产劳动及物质财富,崇尚自食其力、务本重农、兼爱平等的墨家思想,使其在不经意间把菊花带入花卉休闲的名品行列,促成菊花由食用、药用到欣赏休闲的价值转换和由野生到家养的地位提升。文章旨在恢复陶渊明纯朴天然写食用菊花入诗的本意,恢复花卉休闲植物菊花被过度解读后的本来面目。陶菊思想资源是农墨其里,儒释道其表;陶渊明的农家和墨家思想对菊花的价值转换和地位变迁居功甚伟。
The article tries to revert to the original intention of the depiction of chrysanthemum as edible flower in his poems by Tao Yuanming and recover the true nature of chrysanthemum, an over-interpreted leisure ornamental plant. The ideological resources of Tao Yuanming's chrysanthemum include Nongjia(the school of agriculture) and Moism as the core as well as Ru(Confucianism), Shi(Buddhism) and Dao(Taoism) as the external manifestation. Tao Yuanming's ideology from the school of agriculture and Moism is a strong factor in converting the value of chrysanthemum and promoting its status.
出处
《新疆社会科学》
CSSCI
2010年第4期82-89,共8页
Social Sciences in Xinjiang
关键词
农家
墨家
陶渊明
菊花
休闲
school of agriculture
Moist
Tao Yuanming
chrysanthemums
leisure
