摘要
奥地利女作家巴赫曼的广播剧代表作《曼哈顿的善神》自问世以来,备受争议。作者以其独有的女性视角,描述了现代社会秩序的维护者——"曼哈顿善神"摧毁一对虽偶然相识但疯狂相爱的青年男女乌托邦式爱情的全过程。运用互文性原理和社会心理学分析方法,解读了巴赫曼对传统爱情母题的颠覆,以期发掘巴赫曼现代社会爱情观的深层肌理。
The masterpiece of the broadcast drama The Good God of Manhattan by Austrian woman writer Ingeborg Bachmann has been controversial since it came out. From a special feminine perspective, the author depicts the whole procees in which the advocate for the order of the modern society-＂the good God of Manhattan＂ distroyed a utopian love affair of a young couple who knew each other accidentally and fell in desperate love. By means of the intertextual princple and the analytical approach of the social psychology this paper interprets Bachmann＇s overturn to the theme of the traditional love and explores Bachmann＇s modern social perspective of love.
出处
《兰州大学学报（社会科学版）》
CSSCI
北大核心
2009年第3期73-76,共4页
Journal of Lanzhou University（Social Sciences）
关键词
巴赫曼
《曼哈顿的善神》
广播剧
爱情母题
互文性
Ingeborg Bachmann
The Good God of Manhattan
broadcast drama
love theme
intertextuality interpretation
