摘要
尽管从汉代墓葬中出土的画像石不是纯粹的佛教绘画,但它蕴涵有丰富的早期佛教存在论生态审美观念。这种审美观念的产生,与当时特殊的文化转型背景有着密切关系。通过汉画像石直观生动的表现,我们在领略早期佛教无情有性、众生平等这一心灵金弦的氤氲热气之外,也可以感受生态灾难警示、命运终极关怀这个醒世木铎的悲壮与厚重。这些作为两千年前墓葬依附物而保留下来的文化遗迹,对于当前克服日益严重的生态危机具有重要的借鉴价值。
Though the inscribed stones unearthed from the tombs of the Han Dynasty are not pure Buddhist paintings, they contain rich eco - aesthetic ideas of the early Buddhist existentialism. The emergence of such aesthetic ideas is closely related to the specific background of cultural transformation. Through a study of the vivid inscribed stones, we can get to know not only the cold but humanistic traits of early Buddhism and the principle of equality for all but also the serious warning of eco - calamity and the ultimate concern for fate. These burial stone articles with a history of two thousand years are precious cultural relics which have much reference significance to solving the worsening eco- crises today.
出处
《云南民族大学学报（哲学社会科学版）》
CSSCI
北大核心
2005年第5期145-151,共7页
Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)
基金
河南省社科规划项目<从汉画像石葬俗看早期民间信仰生态存在论审美观对建设生态社会的价值>
批准号:[2005BZZ005]
关键词
汉代
画像石
丧葬风俗
文化转型
早期佛教
生态美学
inscribed stones of the Han Dynasty
cultural transformation
ecological concept
concern for calamity
